The Party of No
14 years ago
Monday, May 21, 2007
Monday, May 07, 2007
All Killer, No Filler
On April 28th and 29th, I attended my first-ever Jazzfest in New Orleans. For those of you who are not familiar with it, the event takes place over two weekends, traditionally towards the end of April and the beginning of May. Located at a racetrack in the middle of the city, the music ranges from jazz and blues to rock and hip-hop and can be heard from any of the about eight stages. I managed to check out three.
First up, Calexico. Hailing from Tucson, Arizona, the band, who look like your typical “indier-than thou” folk, play great rawk music, and add a touch of their home-state, too. The group includes a trumpet player and a drummer who throws in some maracas from time to time. Their hour-and-fifteen minute set was lively featuring mostly songs off their more recent albums and made me forget about everything except the fact I was listening to a great band. As the girl behind me said, “They’re, like, my favs, now.”
Next, Ludacris. Let me preface this by saying that I really, really like this guy. I think his rhymes are innovative and funny, and if here were ever able to do something serious, it would be worth of five mics. Unfortunately, Luda demonstrated the many problems with seeing live rap, in that too often it takes on the persona of All-Star Karaoke. Since most beats are machine-made, hip-hop artists often times just have their DJ’s put on an instrumental track and then rap over it. Luda not only did this, but also showed up late and didn’t swear, as “there were little kids in the audience.” I made it about halfway through his set, before I left highly disappointed. To his credit, he only performed his hits, including “Roll Dem Bones,” but it was still sad to think that he couldn’t keep me entertained enough to stick it out.
Finally, Jerry Lee Lewis. Born in Faraday, Louisiana, Lewis is easily in his mid-seventies, and at this point in his life has about the mobility of a tree firmly rooted in the earth. And there I was depending on him to bring me out of my Ludacris hangover from the previous day. By I all estimations, I should have been let down again. But then he stepped out and proved his nickname, because he FUCKING KILLED. Playing about ten of his best pieces, Lewis demonstrated the beauty of music. All great art transcends and Jerry Lee’s piano playing does just that. At his age, this motherfucker is still reaching all of the octaves with a goddamn mic-stand in between his arms.
It reminded quite a bit of when I saw Ray Charles. The acoustics could have been better, and both of the performers were clearly in the twilight of the lives and careers. But they were still performers. They knew what the crowd wanted, gave it to them, and made them leave wishing more was to come. Great musicians evoke all of your emotions during a show and make you believe that when you exit life is somehow never going to be better. Beautiful. Fuckin’ Beautiful.
It was also during Lewis’ performance the coup de grace of the Festival took place. My dad and I were standing together when two guys decided to light up a joint. Mike didn’t realize it, because he turned to me and said, “Is that, um…?” I responded simply, “Yeah.” Several more minutes passed and then my father started looking around. I don’t know exactly the following conversation happened, but I swear the following took place:
“Smells pretty good, eh?”
“I thought it smelled like it was pretty close by.”
“It’s close all right. Right behind you in fact.”
Awkward chuckle.
“Feel free to partake, if you would like, sir.”
I wish I could report that my dad hit it like a champ three or four times, and that the last time I saw him he was heading for the Lake to admire its many wonders. But he declined, and we turned around and rejoined Lewis.
First up, Calexico. Hailing from Tucson, Arizona, the band, who look like your typical “indier-than thou” folk, play great rawk music, and add a touch of their home-state, too. The group includes a trumpet player and a drummer who throws in some maracas from time to time. Their hour-and-fifteen minute set was lively featuring mostly songs off their more recent albums and made me forget about everything except the fact I was listening to a great band. As the girl behind me said, “They’re, like, my favs, now.”
Next, Ludacris. Let me preface this by saying that I really, really like this guy. I think his rhymes are innovative and funny, and if here were ever able to do something serious, it would be worth of five mics. Unfortunately, Luda demonstrated the many problems with seeing live rap, in that too often it takes on the persona of All-Star Karaoke. Since most beats are machine-made, hip-hop artists often times just have their DJ’s put on an instrumental track and then rap over it. Luda not only did this, but also showed up late and didn’t swear, as “there were little kids in the audience.” I made it about halfway through his set, before I left highly disappointed. To his credit, he only performed his hits, including “Roll Dem Bones,” but it was still sad to think that he couldn’t keep me entertained enough to stick it out.
Finally, Jerry Lee Lewis. Born in Faraday, Louisiana, Lewis is easily in his mid-seventies, and at this point in his life has about the mobility of a tree firmly rooted in the earth. And there I was depending on him to bring me out of my Ludacris hangover from the previous day. By I all estimations, I should have been let down again. But then he stepped out and proved his nickname, because he FUCKING KILLED. Playing about ten of his best pieces, Lewis demonstrated the beauty of music. All great art transcends and Jerry Lee’s piano playing does just that. At his age, this motherfucker is still reaching all of the octaves with a goddamn mic-stand in between his arms.
It reminded quite a bit of when I saw Ray Charles. The acoustics could have been better, and both of the performers were clearly in the twilight of the lives and careers. But they were still performers. They knew what the crowd wanted, gave it to them, and made them leave wishing more was to come. Great musicians evoke all of your emotions during a show and make you believe that when you exit life is somehow never going to be better. Beautiful. Fuckin’ Beautiful.
It was also during Lewis’ performance the coup de grace of the Festival took place. My dad and I were standing together when two guys decided to light up a joint. Mike didn’t realize it, because he turned to me and said, “Is that, um…?” I responded simply, “Yeah.” Several more minutes passed and then my father started looking around. I don’t know exactly the following conversation happened, but I swear the following took place:
“Smells pretty good, eh?”
“I thought it smelled like it was pretty close by.”
“It’s close all right. Right behind you in fact.”
Awkward chuckle.
“Feel free to partake, if you would like, sir.”
I wish I could report that my dad hit it like a champ three or four times, and that the last time I saw him he was heading for the Lake to admire its many wonders. But he declined, and we turned around and rejoined Lewis.
***
In addition to the live music, artists from all over the country, including Native American reservations, display their work. Most of it is rather expensive, but original enough that it makes touring the grounds more than worthwhile. And then there’s the food. Like the art and music, it’s eclectic as well, from Cuban dishes to traditional Louisiana fare. My favorite, the Sweet Potato Cookies, were so mouthwatering good that I made sure to pick up a whole batch before I left. Bottom Line: Much like The Killer himself, Jazzfest made me so happy that I wondered I ever lived without it.
In addition to the live music, artists from all over the country, including Native American reservations, display their work. Most of it is rather expensive, but original enough that it makes touring the grounds more than worthwhile. And then there’s the food. Like the art and music, it’s eclectic as well, from Cuban dishes to traditional Louisiana fare. My favorite, the Sweet Potato Cookies, were so mouthwatering good that I made sure to pick up a whole batch before I left. Bottom Line: Much like The Killer himself, Jazzfest made me so happy that I wondered I ever lived without it.
Subscribe to:
Posts (Atom)
